How to Focus Stack Your Images
If you've ever taken a photo of a model, you've almost certainly experienced it. A depth of field too shallow to show your entire build in sharp focus. While it's…
If you've ever taken a photo of a model, you've almost certainly experienced it. A depth of field too shallow to show your entire build in sharp focus. While it's…
For the most part, I love the hell out of my photo table. Yes, it's big and unwieldy and attracts bugs in the summer months, but the nice even lighting…
After my deep dive on airbrushing, I've received several requests asking for me to discuss my cleaning process. I get it. Cleaning sucks and it seems like it's probably one…
UPDATED – AUGUST 2018
This is a post I’ve been meaning to write for a long time. After all, airbrushing is probably my favorite single aspect of modeling. And, with all the airbrushing talk that’s been swirling about the interwebs lately, it seems like the time is right.
So what is this? It’s a deep – I hesitate to say exhaustive – dive into many, many facets of airbrushing, from airbrush selection to paint selection to mixing paints to spray discipline.
Here are some in-post links if you want to skip ahead:
In my opinion, yes. It’s possible to limp along in this hobby with paintbrushes and rattlecans, and even thrive in certain genres like figures, but the atomization, precision, and layering capabilities of an airbrush simply cannot be matched by other means.
Uh, hold on there, chief.
Think of airbrushing like driving, and airbrushes like cars.
If all you’re doing is driving to and from work each day in traffic, you’re not pushing the performance envelope of any car at all. You can get by just fine in any random shitbox. The same goes for airbrushing. If you’re going to setup at standoff distance and just hit a model with a single color of paint, yeah, pretty much any airbrush will do. A nicer airbrush is kinda like a nicer car. It’s a hell of a lot more pleasant to sit in traffic in a Mercedes than an early 90s Kia, but nothing about the drive will really change.

The difference comes with specialty work.
To keep the driving analogy going, let’s pretend that broad work – laying down primers and clear coats for example – is the equivalent of hauling a trailer. And fine, detailed work is like carving corners on a winding country road.
An early 90s Kia is going to suck ass at either of those specialized tasks. For towing, you’d want a truck with the power and gearing to haul the appropriate load. For cornering, you’d want something small and nimble with a finely tuned suspension and excellent steering feel.

If you’re learning or seeking out something of a more general purpose airbrush, a knockoff will probably work just fine. But as you start to push against its performance limitations, that’s when you want to consider investing in something higher end. (more…)
Yesterday, I was doing a bit of bench cleanup…

And came across my big, unwieldy bottle of Future. What to do about it? Well…
When I posted this over on the Facebook page, it elicited some cheers, some laughs, some “but…why?!?” comments. As well as questions over what I use instead. And that little blog post idea light bulb started blinking above my head. So here we are.
TL;DR version if you want to skip to the next section – Future is inconsistent in performance and therefore not to be trusted. (more…)
Let's talk about video. If there's one request I get more than any other, it's for more video content. And I always dodge, because, well, video is pretty work-intensive. Photos…
The Combat Workshop's "Sprue Cutters Union" is akin to a group build, only with blog posts instead of builds. This week's topic: What glue(s) do you use - and how do…
Modeling can often involve working with - and straining to see - extremely small parts. Detailing instrument panels. Drilling out gun barrels. Rigging biplanes. We're often faced with bits that…
Of all the tools in a modeler’s arsenal, there’s none I despise more than the pin vise. While it’s utterly necessary, it’s also an exercise in frustration, particularly when fragile…
Back in April, I scored a really good deal on two Badger airbrushes – the 105 Patriot and the Renegade Velocity.
When I first picked them up, I was impressed by their solidity and their balance. They felt substantially different from the Iwata and Harder & Steenbeck airbrushes they joined in my stable, much in the way that Japanese, German, and American cars have subtle yet decidedly different personalities.
Yet, today, I sold both Badger brushes.
Why?
It’s simple. Or complicated. Or both. (more…)